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APDG ~ Cartoon Character Series #6 - Betty Boop

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APDG ~ Cartoon Character Series #6 - Betty Boop
Group:Artistic Profile Deco Group ;-)
Swap Coordinator:yvonne401 (contact)
Swap categories: Movies  Television  Themed 
Number of people in swap:9
Location:International
Type:Type 1: Electronic
Last day to signup/drop:August 15, 2023
Date items must be sent by:August 31, 2023
Number of swap partners:3
Description:

Betty Boop is an animated cartoon character created by Max Fleischer, with help from animators including Grim Natwick. She originally appeared in the Talkartoon and Betty Boop film series, which were produced by Fleischer Studios and released by Paramount Pictures. She was featured in 90 theatrical cartoons between 1930 and 1939. She has also been featured in comic strips and mass merchandising.

A caricature of a Jazz Age flapper, Betty Boop was described in a 1934 court case as "combin[ing] in appearance the childish with the sophisticated—a large round baby face with big eyes and a nose like a button, framed in a somewhat careful coiffure, with a very small body of which perhaps the leading characteristic is the most self-confident little bust imaginable". Although she was toned down in the mid-1930s as a result of the Hays Code to appear more demure, she became one of the world's best-known and most popular cartoon characters.

Betty Boop made her first appearance in the cartoon Dizzy Dishes, released on August 9, 1930, the seventh installment in Fleischer's Talkartoon series. Inspired by a popular performing style, but not by any one specific person, the character was originally created as an anthropomorphic French poodle. Clara Bow is often given credit as being the inspiration for Boop, though Fleischer told his artists that he wanted a caricature of singer Helen Kane, who performed in a style shared by many performers of the day–Kane was also the one who sued Fleischer over the signature "Boop Oop a Doop" line. Betty Boop appeared as a supporting character in ten cartoons as a flapper girl with more heart than brains. In individual cartoons, she was called "Nancy Lee" or "Nan McGrew"—derived from the Helen Kane film Dangerous Nan McGrew (1930)—usually serving as a girlfriend to studio star Bimbo.

Within a year, Betty made the transition from an incidental human-canine breed to a completely human female character. While much credit has been given to Grim Natwick for helping to transform Max Fleischer's creation, her transition into the cute cartoon girl was also in part due to the work of Berny Wolf, Otto Feuer, Seymour Kneitel, "Doc" Crandall, Willard Bowsky, and James "Shamus" Culhane. By the release of Any Rags, Betty Boop was forever established as a human character. Her floppy poodle ears became hoop earrings, and her black poodle nose became a girl's button-like nose.

Betty was first voiced by Margie Hines. Later, several different voice actresses performed the role, including Kate Wright, Bonnie Poe, Ann Rothschild (also known as Little Ann Little), and especially Mae Questel, who began voicing Betty Boop in Bimbo's Silly Scandals (1931), and continued with the role until 1939, returning nearly 50 years later in Disney's Who Framed Roger Rabbit (1988). Today, Betty is voiced by Sandy Fox and Cindy Robinson.

Although Betty's first name was assumed to have been established in the 1931 Screen Songs cartoon Betty Co-ed, this "Betty" is a different character, which the official Betty Boop website describes as a "prototype" of Betty Boop. At least 12 Screen Songs cartoons featured Betty Boop or a similar character.

Betty Boop was the star of the Talkartoons by 1932 and was given her own series that same year, beginning with Stopping the Show. From that point on, she was crowned "The Queen of the Animated Screen". The series was popular throughout the 1930s.

Since the character was created by an Austrian Jew and eventually voiced by a Jewish actress, Mae Questel, animation fans sometimes try to pinpoint various aspects that hint at Betty's Jewishness. The 1932 Talkartoon Minnie the Moocher featured the one and only appearance of Betty's parents: a strict immigrant couple, who get upset that Betty does not want to eat the traditional German foods hasenpfeffer (rabbit stew) and sauerbraten. Benjamin Ivry of Forward, says that any of this evidence is ambiguous, as these are not kosher foods, and the accents of the parents are comical German accents, rather than Jewish.

Betty appeared in the first "Color Classic" cartoon Poor Cinderella, her only theatrical color appearance in 1934. In the film, she was depicted with red hair as opposed to her typical black hair.

The Betty Boop films were revived after Paramount sold them for syndication in 1955. UM&M and National Telefilm Associates were required to remove the original Paramount logo from the opening and closing, as well as any references to Paramount in the copyright line on the main titles. However, the mountain motif remains on some television prints, usually with a UM&M copyright line, while recent versions have circulated with the Paramount-Publix reference in cartoons from 1931.

The original Betty Boop cartoons were made in black and white. As new color cartoons made specifically for television began to appear in the 1960s, the original black-and-white cartoons were retired. Boop's film career had a revival with the release of The Betty Boop Scandals of 1974, becoming a part of the post-1960s counterculture. NTA attempted to capitalize on this with a new syndication package, but because no market existed for cartoons in black and white, they sent them to South Korea, where the cartoons were hand-traced frame-by-frame in color, resulting in the degradation of the animation quality and timing. Unable to sell these to television largely because of the sloppy colorization, they assembled a number of the color cartoons in a compilation feature titled Betty Boop for President, to connect with the 1976 election, but it did not receive a theatrical release.

The release of the films on video cassette for home viewing created a new market for the films in their original form. The American Movie Classics cable television channel showcased a selection of the original black-and-white Betty Boop cartoons in the 1990s, which led to an eight-volume VHS and LV set, Betty Boop, the Definitive Collection. Some of the nonpublic-domain Boop cartoons copyrighted by Republic successor Melange Pictures (ViacomCBS's holding company that handles the Republic theatrical library) have been released by Olive Films under Paramount's license, while the Internet Archive hosts 22 Betty Boop cartoons that are public domain.

In 1993, plans were made for an animated feature film of Betty Boop, but they were later cancelled. The musical storyboard scene of the proposed film can be seen online. The finished reel consists of Betty and her estranged father performing a jazz number together called "Where are you?" Jimmy Rowles and Sue Raney provide the vocals for Betty and Benny Boop.

Producers Steven Paul Leiva and Jerry Rees began production on a new Betty Boop feature film for the Zanuck Company and Metro-Goldwyn-Mayer. The script by Rees detailed Betty's rise in Hollywood in the Golden Age of Hollywood. It was to be a musical with music by jazz musician Bennie Wallace and lyrics by Cheryl Ernst Wells. Wallace and Wells had completed several songs and 75% of the film had been storyboarded when, two weeks before voice recording was to begin with Bernadette Peters as Betty, the head of MGM, Alan Ladd Jr., was replaced by Frank Mancuso, and the project was abandoned.

On August 14, 2014, Simon Cowell's Syco and Animal Logic announced they were developing and producing a feature-length film based on the character.

According to Playbill in 2012, a musical based on Betty Boop was "in the works", with music by David Foster and book by Oscar Williams and Sally Robinson. No dates, theatre, or cast were listed.[20]

Betty Boop is regarded as one of the first and best-known sex symbols on the animated screen; she is a symbol of the Depression era and a reminder of the more carefree days of Jazz Age flappers. Her popularity was drawn largely from adult audiences, and the cartoons, while seemingly surreal, contained many sexual and psychological elements, particularly in the 1932 "Talkartoon" Minnie the Moocher (1932), featuring Cab Calloway and his orchestra.

Next onto our swap:

Post THREE (3) pictures or gifs to each of your THREE (3) partner's profiles with the theme "Betty Boop". The pictures that you choose may be the SAME OR DIFFERENT between all of your partners. Please choose pictures that you think THEY will enjoy!

Only people with well filled out profiles may participate in this swap. I will be checking the night before partners get assigned. If you get 3 pictures from your partner on "Betty Boop1." you have to rate them a 5. The heart on the rating is for if you like what they sent.

To leave a photo on someone's profile use this code ! [ ] ( Put image here ) With NO spaces & paste the picture's link between the curved parenthesis.

Practice on your own profile first to be sure it looks good because you can easily delete there.

Pick images that are size 300 wide or smaller to be sure they fit. I go to Google images to get my pictures.

Hover over images to see their size because there will be some larger sizes there too. If you really like something click on it and go to the words SEARCH BY IMAGE and click on that. THEN go to the word SMALL and see if there is one 300 size. There are other tricks in the group thread; AN EASY way to get a small PIC from a BIG one;-)

You can find moving pictures at http://giphy.com/

You can also find gifs at google, just type in topic gif 300 x 300.

Please write the TITLE OF THE SWAP ON YOUR PROFILE DECO MESSAGE too! This makes it easier for partners that are in a lot of these swaps to rate it.

Any problems, feel free to contact me.

I want to thank @anrtist for allowing me to borrow SOME of her wording.

Requirements:

  1. A well filled out profile. I will check the night before partners get assigned.

  2. You need to login at least two days prior to sign-in date.

  3. Your dashboard must be up to date.

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